Jill London | Untitled Abstract (Circa 2000) Treasures of the sea Wadley's subjects are most often

Wadley's subjects are most often the human figure

Continental or American

the finish is original

Translation: "Panfilo Diaz was very grateful for saving his life while taming a lion in the circus that became furious and attacked me but you protected me and saved my life with good during that said incident

Karl Springer-inspired silhouette is perfectly complemented by the exquisite ivory jacquard

Jill London | Untitled Abstract (Circa 2000) Treasures of the sea Wadley's subjects are most often9 3 4W x 15 3 4H x 3 4D In this luminous horizontal panel, Jill London orchestrates a brilliant collision between the ancient technical lineage of the 18th Dynasty and the high velocity mark making of the 1980s New York avant garde. Having honed her gestural vocabulary while working in the studio of Jean Michel Basquiat, London translates the raw energy of the Lower East Side into a sophisticated, material driven meditation. The work is grounded in a