Frances Hodgkins - Print - Cut melons SIZE:A4 Plate 12 from A history

Plate 12 from A history of the birds of New Zealand

a species that steers the safari in a completely different and thought-provoking direction

Kawau Tikitiki

As babies can only see in black and white for around the first five weeks of their lives

"The search for a New Zealand identity is something that is now influencing all the arts in this country …Toss Woollaston and Colin McCahon continue to contribute to [the tradition of national identity]

Frances Hodgkins - Print - Cut melons SIZE:A4 Plate 12 from A historyORDERING NOTE: Print to Order Allow 1 month A contract with Arthur Howells St Georges Gallery in 1930 freed Frances Hodgkins from the burden of teaching. Like a swallow she was drawn back to the Mediterranean and the brilliant light that informed the work of so many modernist artists. In April 1931 she went to stay with Maude and George Burge in the villa they had rented in Saint Tropez. Their villa was on the inward slope of the cliff at the far end